This Is All Me, 2024
이게 나에요
Paper, plaster, acrylic, ceramic stucco, pumice gel, modeling paste, glitter, LED lights, foam on wood, etched image on acrylic sheet
55 x 40 x 12 inches
Photo credit: Chen Xiangyun
While at first glance appearing industrial, my white forms are neither perfectly uniform nor symmetrical.
Close inspection of the structures reveal delicate nuances — soft variations in white, open gaps and joineries, and subtle imprints from the maker — that disrupt their initial uniformity. In a world of urgency and sensory overload, these spatial vessels call for slowness, presence, and a heightened sensitivity to one’s surroundings.