YUNA CHO                 About
    
2025
What Surrounds, Touches, and Holds    둘러싸고, 닿고, 지탱하는 것들
Soft Tending    스며드는 힘
In Relation, Becoming Again    남겨지고 쌓여 전해지는 것
The Weight of Everything    보이지 않는 것들에는 힘이 있어
The World Is More Beautiful When It’s Viewed From a Low Place    
낮은 곳에서
바라볼 때 세상은 더 아름다워

Embossments    눈에 보이지 않는  

2024
I Can Be Whatever I Want    난 무엇이든지 될 수 있어요
This Is All Me    이게 나에요
Paper Echoes    종이는 우리에게 속삭여
Liminal    무경계


2023
In
The Dark, You Can See Everything    어둠속엔 모든게 보여 

I’m Scared (Encountered)    오우 (마주쳤어)
Portal    희미하지만 발소리가 들려




I Can Be Whatever I Want, 2024
난 무엇이든지 될 수 있어요

Paper, plaster, acrylic, ceramic stucco, pumice gel, modeling paste, glitter, LED lights on wood
Dimesions variable

















Photo credit: Chen Xiangyun


White is not static or fixed, but instead highly dynamic and responsive to its environment. 
Varying tones of white — manifested through paper, plaster, modeling paste, glitter, LED lights, and natural light — shift in accordance to their surroundings, the time of day, and the viewer’s own vantage point. This refractive quality illuminates a wide array of tones on drywall, reflective surfaces on floors, and in the transient hues of natural light. 

As the viewer’s sensitivity to subtle variations heightens, the surroundings become an extension of the work itself. The diffusion of warm and cool light, both natural and artificial, blurs the sense of time and place, allowing viewers to immerse themselves in the present moment.