YUNA CHO                 About
    
2026
Do We Ever Think About What Stays After?
다 지나간 후에, 남는 것들에 대해 우리는 생각할까

2025
What Surrounds, Touches, and Holds    둘러싸고, 닿고, 지탱하는 것들
Soft Tending    스며드는 힘
In Relation, Becoming Again    남겨지고 쌓여 전해지는 것
The Weight of Everything    보이지 않는 것들에는 힘이 있어
The World Is More Beautiful When It’s Viewed From a Low Place    
낮은 곳에서 바라볼 때 더 많은 것들이 보여

Embossments    눈에 보이지 않는  

2024-23
I Can Be Whatever I Want    난 무엇이든지 될 수 있어요
This Is All Me   이게 나에요
Paper Echoes    종이는 우리에게 속삭여
Liminal    무경계

In
The Dark, You Can See Everything    어둠속엔 모든게 보여

I’m Scared (Encountered)    오우 (마주쳤어)
Portal    희미하지만 발소리가 들려


 



In Relation, Becoming Again, 2025
남겨지고 쌓여 전해지는 것

Jesmonite, concrete, gelatin, glycerin, mold
Dimensions variable





Photo credit: Paloma Dooley


Shifting between liquid and solid states, the forms adapt, weather, and carry residues much like bodies moving through structures and relationships. Each surface holds a memory of its environment: peeled skins, inherited imprints, and casts that pass traces from one to the next. Standing with them becomes a way of noticing the soft pressures and accumulated experiences that shape us. Together, they open a space to reflect on what it means to keep becoming.









Collapsing under its own weight over time, bodies record each moment of change.








 Shaped by the hidden gap, later marked by its own next becoming.